|
| Register | FAQ | Members List | Calendar | Search | Today's Posts | Mark Forums Read |
![]() |
|
|
Thread Tools | Display Modes |
|
#21
|
|||
|
|||
|
I probably wouldn't have bothered going to watch it, so they wouldn't have had over 100 of my dollars for their box office total.
|
|
#22
|
|||
|
|||
|
Woulda sucked. Rick Berman had his time. He had the franchise from 1987 to 2005. Star Trek needed a whole new production and story writing crew.
|
|
#23
|
||||
|
||||
|
Quote:
I'm going to venture a guess, that it's all about execution and advertising. Even though i disliked the movie overall, i have to admit, its one of the best directed Trek films ever made. The production, action, cinematography, visual effects, and fast-paced story-telling are heads and shoulders above anything we've seen before in Trek. In addition, the marketing campaign made it impossible to know the film wasn't out. Reminds me of the old adage, it isn't what you sell, but how you sell that determines if you make the sale. |
|
#24
|
||||
|
||||
|
Quote:
__________________
![]() When asked what I thought of human civilization, I replied: "I think it's a wonderful idea." (Modification of a Robin Williams joke). ![]() http://www.youtube.com/watch?v=owGMZ...eature=related 40:20 |
|
#25
|
||||
|
||||
|
Quote:
But it would have been non-epic, non-cinematic, and safe. Quote:
Absolutely - even if they did have the guts to destroy Vulcan you can bet it would have been restored for a safe 'it's ok, guys, we didn't really do it' ending. Quote:
Ultimately I think a few components of the story could have been very similar, I just have the feeling it would have been a duller movie that would have been adequate but in the end, safe. I know I keep using that word - safe, but I think it's the case. Berman wouldn't have taken a leap and done anything so huge as destroy Vulcan and keep it that way.
__________________
'If the Apocalypse starts, beep me!' - Buffy Summers 'The sky's the limit.....' Jean-Luc Picard, 'All Good Things' courtesy of Saquist
|
|
#26
|
|||
|
|||
|
Agreed with just about everything on here, especially Kevin's comment about it being non-epic, non-cinematic and safe.
Probably also the far-fetched science in this movie would've been 'explained' through meaningless technobabble to keep it consistent with the TNG-verse. And with Jerry Goldsmith passed away, Berman and company would've gone back to letting Dennis McCarthy/ Jay Chatta-what's-his-name score the music (*shudder*... tell me I'm wrong). They also would've 'missed' the moments. Kirk's Kobayashi Maru apple, McCoy's classy introduction... let's face it, the TNG staff wouldn't know the characters well enough. Even if you removed the technobabble from Scotty's mouth at the beginning of Star Trek Generations, and temp-tracked the scene with James Horner music instead Dennis McCarthy, I'd be willing to bet fans would still 'sense' they were watching a Rick Berman production. But it's even more than those character moments. The sublest, least noticeable things the new Star Trek did to illustrate that it understood the 'language' of film, would've gone completely over their (Berman and company's) heads. This isn't something I know how to explain (and to think that I call myself an aspiring screenwriter), but I can give examples: Kirk scraping his fingers (both as a ten-year-old-boy, and then later on the away mission) to keep from falling over the ledge. No coincidence that J.J. practically uses the same shot in both scenes. Or how about Kirk and McCoy, as they arrive on the Enterprise, almost-passing Spock on his way to the bridge (whereas a more TV-minded writer would simply CUT to the bridge and... "ENTER Spock"). My point is that movies (the ones that leave a lasting impression anyway), go out of their way to look for those cinematic details that audiences barely even register. But not Star Trek, or at least not until now. It's just not the way TV writers/directors are trained to think. Went right over their heads. Missed it completely. [EDIT: There have been exceptions. Khan's glove -the one he never takes off- and the Whale Probe's communication with George and Gracie, I would argue both demonstrate a degree of that higher cinematic awareness that eluded the TNG-verse people] Then again, we might've been spared the puffy hands, Willy Wonka's engine room, or Kirk accidently groping Uhura's boobs. (Just being fair. Which Feringi Rule of Acquisition states "every once in a while, declare peace"?) Last edited by samwiseb : 06-03-2009 at 01:43 AM. |
|
#27
|
||||
|
||||
|
In fact, the previous idea for an eleventh movie under the rule of Berman was far more risky than going back to the roots and rebooting the franchise.
And to all you B&B bashers, many other interesting but risky ideas in Trek have been blocked by the studio, not by the guy at the helm. |
|
#28
|
|||
|
|||
|
Quote:
The thing that stuck with me is it's probably the worst offender in terms of showing a Starfleet that has no concept of professionalism or military protocol, and I've been making cracks about Troi being left the Conn. Afaik she doesn't HAVE the Conn because no senior officer passed it to her, for that matter, the three or so people assuming control of the Conn before her didn't have it, either, but at least most of them were even vaguely qualified to direct the bridge. That's some criminal negligence in the middle of a military engagement. (The best bit was Riker's "lulz be needinz some fisticuffs!" departure. You're first officer, you galoot!) And I feel the complete lack of any military protocol throughout the movie is just a terrible sign of the lazy script writing that contributes to the meandering dialog elsewhere. The movie doesn't really have things like "themes" or "thrust." If you already like the characters, there's some really fun moments throughout the movie, but there's certainly nothing to engage a general audience and I wouldn't exactly call it great cinema. Maybe 'a pretty decent TV movie.' Quote:
Around our house, we have a saying for something that takes a long time, it's "still docking, like the Starship Enterprise." A reference so ST:TMP where, omg, you can go get a soda and make some lunch and that thing will still be docking. Existentially, one can argue it's docking even now. I've made two pretty critical posts today, and I love Trek, and I enjoy Trek. It's happy and optimistic and I love the characters and their relationships and evolution. But ultimately it's a continuation of the pulp tradition of space opera from the 30's and 40's. This is a tradition I love with every fiber of my being. But I do tend to frown on people not recognizing that this is NOT hard sci-fi. It's not as soft as sci-fi gets, but it's inarguably soft sci-fi in every way. Star Trek XI does something awesome, in that it's one of those space opera endeavors that manages to hit the mainstream without selling out in terms of characters and high adventure, only losing a lot of what makes the genre a little hokey and inaccessible to people that don't just love the vibe. (And the vibe's great to love, I'll watch, say, Leji Matsumoto projects glued to the screen for long shots of a train traveling through space and for long speeches about the "sea of stars" and I'm like "Brilliant!" but it's certainly a not a genre for everyone.) ETA: Some of this pertains to my other posts around the forums. But srrrrrsly u guyz. @_@ Last edited by calliefox : 06-03-2009 at 06:10 AM. |
|
#29
|
||||
|
||||
|
How Would the New Movie Have Been Different if Made by the TNG Producers?
It would have SUCKED!!
__________________
ShotoJuku |
|
#30
|
||||
|
||||
|
Quote:
__________________
And thats my opinion. (Disclaimer) My opinion's should always be regarded as facts.
|
![]() |
| Thread Tools | |
| Display Modes | |
|
|