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#11
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I am exciting to see your work, which reminds me of my childhood when dreamed to be a artist. Good luck.
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........................ If winter comes, can spring be far behind. Star Trek Voyager DVDI am back//Star Trek The Next Generation DVDman/woman-problem |
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#12
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Been an artist since the 60's when I used to draw a lot. These day I don't have that much time to do the stuff I'd like to.
Here's a few links to some of my published SF Covers: http://www.aurealis.com.au/issues.php?show=16 http://www.aurealis.com.au/issues.php?show=19 http://www.aurealis.com.au/issues.php?show=29 http://www.aurealis.com.au/issues.php?show=31 http://home.vicnet.net.au/~kendacot/Orb/page3.html http://www.xaraxone.com/FeaturedArt/may04/html/08.htm
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TREK IS TREK. WHATEVER THE TIMELINE!
The next TV Series should be called STARFLEET! |
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#13
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Quote:
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"One of the many, the proud, the friends of Zardoz".
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#14
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Here's some of my work. I'm a professional concept artist and 3D character sculptor and I also do some art directing. I do a mixture of traditional and digital, 3D and 2D. Hope you like them.
http://s620.photobucket.com/albums/tt288/ScribblerArt/ Last edited by Scribbler : 04-16-2009 at 11:49 PM. |
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#15
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All Digital. Photoshop. Xara. Illustrator.
__________________
TREK IS TREK. WHATEVER THE TIMELINE!
The next TV Series should be called STARFLEET! |
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#16
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I draw and paint as a hobby... but one that pretty much pays for itself. I seem to sell fairly consistently at science fiction con art shows. If you want to see some of my stuff, you can pop over to the "Classic Horror Film Board", go to the Art and Comics subheading, and check out a thread titled "Just a few sketches."
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Number Two: Conform, Number Six! Conform! Number Six: I will not be stamped, filed, indexed, briefed, debriefed, or numbered! I am a person. |
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#17
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This is very very competent work. I know the scan doesn't do this just. That's just how pencil can be with scans but I can judge the lines and the amount of distortion in the drawing from what you drew from (memory or picture.) There is very very little visual distortion. It more tan adquately accomplishes the realism you were seeking and the nature of the pictures undefinable lines makes that difficult. The dept is apparent as well by the use of shading. Both of these factors exemplify that you have acute visual and depth perception in the ability to translate that through the hand to a artistic medium. The ability to translate also shows tactile control. Depending on how good this control is, you might be profficient in any medium. I encourage you to continue to develop the skills. Practice something every week. Post it here and show your work. I assure you it is an activity you'll never regret and you will have with you no matter what life throws at you.
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Last edited by Saquist : 04-17-2009 at 06:37 AM. |
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#18
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Between the ages of about eight and twenty (I'm 28 now) I used to fill up sketchbooks with cartoons and comic strips with my own range of characters. Then I started writing stories instead and have since published a couple of short stories and have completed (but not yet published) two novel-length stories.
But I still have all of my sketchbooks and go through them every now and then. I don't mind admitting I get amazed how much a lot of it stills holds up!
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"Commanding a starship is your first, best destiny." |
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#19
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I've been drawing portraits since I was very young, only in pencil though. Colour has always frightened me because it's always harder to correct your mistakes when you're using colour pencils.
Last year though, I discovered digital painting. I bought a Wacom digital tablet and I love using it. Now I can use colour because I can correct my mistakes over and over again and it doesn't show! It's a lot of works but really fun. Here's a few paintings I've done over the past year or so. ![]() ![]()
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Uhura - "And here I thought you were just some dumb hick who only had sex with farm animals." Kirk - "Well... not only..." ![]() |
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#20
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It does look digital very well done.
It does look difficult to control. That's why I still draw potraits on paper.
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