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#21
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Saavik quoted a regulation which probably was never used between Starfleet ships until then.
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Free your mind, and the rest will follow. --En Vogue |
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#22
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I don't agree with that. A writing team with at least a smidge of creativity could have easily come up with a great movie that not only adhered to canon, but also contained plenty of "stuff going boom" to satisfy the short attention span popcorn crowd. A re-boot was not necessary. A good Trek film was needed. Instead, we got a good sci-fi action flick which bore only a slight resemblance to Star Trek. But it was enough to make a quick buck and bring in the popcorn crowd. So I guess JJA and Paramount got what they wanted.
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#23
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I say it because in the vastness of space it makes absolutely no sense to let any ship that close to you without a specific reason. My thinking has nothing to do with what Khan did. These ships can see each other coming from incredible distances, and can communicate from even further distances. You are not going to let a ship, a ship that was just creeping along at that, just run right up on you without knowing exactly why they need to be that close. Big happy fleet or not, the scene makes no sense.
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#24
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#25
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And for the record, Roddenberry had nothing to do with TWOK anyway. He had been basically pushed to the side by Paramount after TMP. Harve Bennett was the one running Trek at that point, with Roddenberry looking on from the sidelines.
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Free your mind, and the rest will follow. --En Vogue |
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#26
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That's what Khan was counting on to launch his sneak attack. And later Kirk admitted that he had been punked. The scene works.
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Free your mind, and the rest will follow. --En Vogue |
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#27
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#28
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They didn't even verify that the ship was in distress, they just let it come right up on them. In wide open, infinite space.
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#29
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The only reason for that is that Paramount didn't care about Star Trek. They only cared about making a buck. And that's understandable. That's what movie studios do. So it didn't matter to them who made the movie or how it was made. As long as it was made "popular". So they found a director and a bunch of writers who cared even less about Star Trek than the studio did. Star Trek had become a stigma. Star Trek fans were considered nerds and geeks to the rest of the moviegoing public. In order to overcome that label, ads like "This Is Not Your Father's Star Trek" were put into play. They wanted to distance this new version of Trek as far as possible from the original so it wouldn't be relegated to geekdom. JJA and his crack team of so-called Trekkie writers came up with a story that completely obliterated all that had come before. Effectively creating a brand new Star Trek. It is full of stuff going boom, sex, violence, super cool special effects, more stuff going boom, and such frenetic editing and shaky cam that one would have to pay attention or you would miss something. That kind of stuff is nice, but it only appeals to the popcorn, fluff movie crowd who don't care about plot or story as long as something explodes. That's not Trek. That's not "my" Trek. It's Die Hard in space. Granted, Die Hard was a decent movie, but it too seriously lacked substance. That's not Trek to me. I like action and things exploding as much as the next guy, but I prefer more intellect in my Trek. Give me TUC or TWOK any day over this muck.
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#30
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And from a real world perspective if things like Starfleet were real, you absolutely would never let a ship creep right up on you like that for no reason. It doesn't hold up to critical thinking.
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