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#971
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Commodore Mendes: "They're like animals, Jim. Viscious, seductive, they say no human male can resist them." ("The Menagerie" TOS) That's just my reasoning. As a dedicated TOS fan, that is. |
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#972
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I agree and I cherish the utopian element in Trek very much. This doesn't imply that I don't like dark Trek stories, I am a big fan of FC, the two Meyer movies and all the grim DS9 stuff.
There is a difference between between playing with some contrasts, between portraying human beings that err yet strive to better themselves and the utter absence of any light. McCoy is broke, seemingly because his ex-wife stole everything from him and now has to join Starfleet to make a living although he fears space? Kirk's mother, a Starfleet officer, lives together with a jerk who mistreats her children? They thought that all the bling-bling would make up for that, ŕ la the agenda of the NuEnterprise is "to get away from it all"? About the Orions, it is certainly not impossible that a slave would be able to somehow leave the Syndicate resp. quit if one goes with the suggestion from ENT that the women run the Syndicate. But how a seductive woman with powerful pheromones is supposed to become a dumb, green frat girl is beyond my understanding. Let's face it, there is just a green chick in it because someone believed that green chicks (and Klingons and Romulans) belong into Trek. Pretty superficial, nobody thought about what Orions are supposed to be. Every other Trek story about Orions or the Syndicate, be it in ENT or DS9, worked with the basic premises from the "The Cage". Last edited by horatio : 12-04-2009 at 06:13 AM. |
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#973
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#974
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They basically just portrayed Earth as the same sh*tty place as today.
Now let's take a look at some of the previous dark stories in Trek. In FC Earth was also a sh*tty place, yet we witnessed the beginning of a better future. In DS9 Sisko allows Garak to assassinate people and we see some operations of a secret intelligence agency, a good ol' morality tale which explored the familiar theme of the needs of the many and the needs of the few. In TUC we see a borderline racist protagonist, but we also see how Kirk changes. I think we see a pattern now. Whenever Trek was a bit grimmer, it was about something, it explored the human condition. ST09 on the other hand is just indifferent or even ignorant: Earth is full of jerks ... so what? Stepdaddy is cruel to Jimmyboy, Jimmyboy runs aways ... so what? Exwife took all I got, now I gotta work in space despite my phobia ... so what? If you go down the dark road, it has to be about something. A movie has got to have a soul. |
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#975
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Well they will get into that in the next movie why are you so bloody annoyed by this movie and what they have done damn it I am going to boil over now.
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![]() Space is disease and dangerous wrapped in darkness and silence-Leonard Bones McCoy |
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#976
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Then boil over, I have some salt and pasta ready.
![]() They get into what in the next movie, a meaningful and substantial story? Did they not also claim that they have not hold anything in reserve, that they have put all the got into this one movie? Shall I say inconsistency, shall I say don't believe a word people say for marketing reasons? |
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#977
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I think Bones is running away. His ex took everything that mattered i.e. his daughter rather than all his worldly possessions. He's using humour to deflect Kirk's query but his explanation makes no sense unless NuTrek's Earth really abandoned its pre-existing principles due to the destruction of a single ship. Seems unlikely.
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#978
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Precisely, it makes no sense. Unless you explore it, but obviously character origins were not high on their priority list.
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#979
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#980
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He's right...
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