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#31
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The thing we must remember about the open endedness of TWOK was that it was indeed motivated by more than just money.
At the time, Leonard Nimoy was adamant that TWOK would be the LAST Trek movie he would do. (Of course, I think in later years, we've heard that same claim). When he was offered the director's seat for a sequel, he relented. Also, the initial test screening with a more somber, more "final" ending did not meet with much approval from test audiences...so the ending was reshot with a bit more hope. But, I guess, in the end, rectifying all of the above does have much to do with money. ![]()
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#32
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#33
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I do believe the 'next-next-next generation' phase of ST has run its course. While I'm sure there are a dozen-dozen workable premises that have never been explored, I think everything has its time. Not unlike Phase II, The Academy Years, The Beginning, ST Excelsior, they all had their time to either go forward or not. While it was once tempting to think of the ST universe as the ever-expanding gum bubble that you could just keep blowing up, I just don't see that as characterizing the current Third Generation of ST. Quote:
Last edited by samwiseb : 02-15-2012 at 01:54 AM. |
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#34
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This abundance of easter eggs plus the Countdown comic shows that ST09 did not transcend continuity obsession and I find it slightly ironic that I, a big Berman era Trek fan, have to argue for a cleaner cut. |
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#35
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How is a girl in a bar ordering a Cardassian sunrise obsession with Continuity?
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#36
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I submit that if those passing references had not been in the movie the uproar might have eclipsed the Watts riots.
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"Are you out of your Vulcan mind?" |
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#37
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I don't see that it is. It's an inconsequential reference for fans. It's not like Worf 'having' to appear in INS because apparently fans heads would explode if he wasn't present despite the straightforward explanation he had been assigned elsewhere and had to skip a film.
You put stuff like that in for fans - you can't with one segment. You leave it out - you can't win with another segment. You do a clean cut, or a faithful version..........you get where I'm going. I also however don't assume a lower budget or a cleaner cut would definitively or automatically mean a better or more daring film/TV series. It's entirely possible it would, it's possible it would not. Without story specifics we can't judge that. Budget cuts to TOS season 3 didn't make it the best year creatively the show ever had.
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'If the Apocalypse starts, beep me!' - Buffy Summers 'The sky's the limit.....' Jean-Luc Picard, 'All Good Things' courtesy of Saquist
Last edited by kevin : 02-15-2012 at 11:13 AM. |
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#38
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Indeed, even in low-budget-land what's the batting average for truly exceptional to everything else? 20 percent for feature films? 30 percent for classic TOS? Maybe I have it the other way around, depending on personal mileage. The Berman era productions already eclipse everything else in terms of sheer quantity, and batting average is again roughly approximate if you average them out (don't average them out and it probably varies from 10 to 40 percent, again dependent on personal mileage).
I think the current phase is a healthy one, providing it doesn't outstay its welcome. Like everything else it won't last forever. Besides, the DVDs aren't going anywhere. Last edited by samwiseb : 02-15-2012 at 01:26 PM. |
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#39
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I totally understand that a franchise which spans more than ten movies and more than 500 episodes works like that, I totally understand that writers wanna throw some meat to the fans ... but such a timid "hedge my bets" attitude rarely paves the road to excellence. If the guy who wrote "In the Pale Moonlight" had worried that much about how fans might react to his controversial piece he wouldn't have written it in the first place. On the other hand these three movies with a second version of the classical characters do perhaps not have to cut all ties to what has come before. Yet the series that will emerge after the movies are over will have to. |
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#40
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So the amount of money you have to hand is less important than who is spending that money and what they do with it.
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'If the Apocalypse starts, beep me!' - Buffy Summers 'The sky's the limit.....' Jean-Luc Picard, 'All Good Things' courtesy of Saquist
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