Well he seems to be doing a pretty impressive job with it so far.
Re the Silmarillion, I suppose you could think of it as a very distant prequel to the trilogy (unlike The Hobbit, which technically isn't a prequel having come first). However it's painted on such a broad multi-generational canvas that most of the time you can't really deal with it in visual terms. The size of it almost makes the second darkness of Suaron seem like a mere footnote by comparison (in fact the final chapter essentially covers the material that was prologue to the movie trilogy).
It's always interesting to me how fantasy stories allude to an even more magical or dangerous past then whatever is seen in the present story. I mean it's almost like "Well, okay, then why are you telling us this story instead of that one?" In the trilogy, things like the Balrog and Shelob are leftover relics from a time that predates even the War of the Ring. The implication being that Gandalf and his companions wouldn't even stand a chance of victory in a world where such things were actually commonplace. Well The Silmarillion is that larger world. Any one of its chapters could almost make a movie unto itself, if perhaps a made-for-TV movie at that. But I don't even think it's possible to adapt the whole thing. There are way too many characters, and very few speaking parts within the prose. There isn't even really a spectator's point of view; you're mostly dealing with maps and family tree diagrams just to keep yourself oriented. I've read the bloody thing twice and both times I've forgotten most of the characters and details. Maybe it's like reading all the compiled Greek myths as a history text compressed into one book. Turin Turambar is my favorite chapter, I think just because his character appeals to the devil's advocate side of my own personality.
Last edited by samwiseb : 12-16-2012 at 11:44 PM.
Reason: Who says I edited this? I'm denying it. I never edit my posts. I compose my thoughts articulately the first time.